What I Learned From Binge-Writing Nine Bad Novels
vitals.lifehacker.com – Friday October 20, 2017
This year, I will write my tenth terrible novel. I do this every November; it’s part of the NaNoWriMo tradition. I’ve never published these novels, but I grow as a writer and as a human being every time I write one. Let me tell you why it’s worthwhile.
Philip Pullman: Rules of writing from man behind His Dark Materials
bbc.co.uk – Thursday October 19, 2017
So what are the tricks of the trade that has made Pullman such a success - and the tips he can pass on to budding writers?
He spoke to the BBC about his lucky pen and why he can work to the sound of a pneumatic drill, but never to music.
Writing for free undermines profession
irishtimes.com – Monday October 16, 2017
I’m a full-time writer and illustrator and was approached recently by an editor working for a reputable company who asked me to contribute a piece for an anthology of contemporary Irish writers. There was to be no fee. The company expected me to to provide the work for free, because of who they were and, presumably, the exposure I’d get for it. It was a commercial business, not a charity, although it said that any profits would go towards supporting emerging writers – as if established writers don’t need “support”.
5 things you should expect when writing short stories, according to Eden Robinson
cbc.ca – Friday October 13, 2017
Eden Robinson's latest book, Son of a Trickster, is a finalist for the 2017 Scotiabank Giller Prize. Son of a Trickster is a fantastical coming-of-age story about a teenage burnout visited by strange apparitions, and was recently defended by Anishinaabe comedian Ryan McMahon on Turtle Island Reads. Her first novel, Monkey Beach, was shortlisted for a Governor General's Literary Award and Scotiabank Giller Prize in 2000.
Robinson is serving as a jury member for the 2018 CBC Short Story Prize, alongside Heather O'Neill and Kevin Hardcastle. Together, they will determine the winner, who will receive $6,000 from the Canada Council for the Arts, have their story published on CBC Books, and have the opportunity to attend a 10-day writing residency at the Banff Centre for Arts and Creativity.
For all those already hard at work on a 2018 CBC Short Story Prize submission, Robinson shares five things about expecting the unexpected.
5 Writing Tips: Harlan Coben
publishersweekly.com – Saturday September 30, 2017
Working off my Rule 3, I'm going to skip boring you with a long introductory paragraph and get straight to it:
Interactive fiction and mainstream publishers (Part 2)
thebookseller.com – Friday September 22, 2017
In the first part of my look at interactive fiction, I outlined IF’s roots in early computer gaming, and its revival through engaged communities and innovative producers. In this follow-up, I’m going to look at the future of the form - technological advances in voice, language processing and AI that could give interactive fiction greater commercial and creative traction within mainstream publishing.
Rules of writing from an international best seller
cbsnews.com – Sunday September 17, 2017
Famous spy novelist John le Carré shares his writing tips with 60 Minutes, including how he avoids "fuzzy endings” and why he makes verbs do all the work.
Interactive fiction and mainstream publishers (Part 1)
thebookseller.com – Friday September 15, 2017
Interactive fiction may be too strongly associated with computer gaming and general geekery to interest mainstream publishers. In this two-part article I will be looking at what they can learn from the strong community engagement in the interactive fiction market, and how technologies like artificial intelligence could transform it.
Can't Punctuate Dialogue? Consider the Sentence
By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach
firstwriter.com – Monday September 4, 2017
Whereas everyone is welcome to write without a clue - you do have a computer, after all - unless you start with a strong foundation and build from there, your lack of understanding is going to cost you.
Recently, a student of mine expressed strong irritation when I suggested she learn to punctuate. Yes, I really am that annoying person. Well, the next time I went through her writing, I restrained myself from spending the time and effort on such minor matters as how her sentences were put together. I should simply presume people will be happy to pay for an edit rather than learn some of the basics of writing.
I thought I might start here with the sentence, really for a reason that has to do with punctuating dialogue - the issue on my mind right now. Why? Because while line editing, I've found so many examples of a certain glitch that boils down to a mere misunderstanding of what a sentence is.
How to market and promote your books
By Jeffrey Sussman
President, Jeffrey Sussman, Inc.
firstwriter.com – Wednesday August 30, 2017
Every author and every publisher wants to sell as many books as possible. Each may try a variety of tactics as well as resort to conventional means of publicity, but results often fall short of expectations. It is one reason why publishers make significant profits from only a small fraction of the books they publish. And the vast numbers of authors cannot count on royalties to support themselves. What to do?
Here are several examples that have helped publishers increase the quantity of sales and have even helped self-published authors make money from their books.
Get the free newsletter | Submit a news item or article | Get Writers' News for your website
