Agents are feeling the burnout too
thebookseller.com – Tuesday May 17, 2022
Recent reporting on ’industry-wide burnout’ focused on editors, but agents are struggling with equally unsustainable pressures.
When I first started operating as an agent, I remember complaining to a colleague about my lack of work. I sat on their couch, voicing my panic because I had zero list, no emails, no clients and no meetings. I said to them, how anxious it made me to have so much free time when I was building my list and how much I hated not being ferociously busy. And they gave me a pitying look and said gently, that there would come a day very soon when I would regret every single word I had just said.
Kathy Lette: ‘Older women buy most books so why won’t publishers give them what they want?’
inews.co.uk – Sunday May 15, 2022
The author, whose books have sold 573,275 physical copies in the UK since 1998 believes literature is failing to keep up with the phenomenon of women aging disgracefully
Older women are easily the biggest consumers of fiction. So why is it so hard for an internationally best-selling author to get novels about them published?
That’s the conundrum that Kathy Lette says she has faced. The author, who helped invent “chick lit”, has used an interview with i to reveal the hard time she has had getting publishers to accept fiction about menopausal women who are enjoying life.
“I’m struggling to get publishers interested in books that celebrate older women in a positive way,” she says. “They’re saying, ‘I don’t know if there’s a market for this.’
“If you’re not the hot, young new thing, they’re reluctant to think that you have an audience out there. But, of course, it’s older women who buy books.”
Is there a secret to writing a bestselling book?
smh.com.au – Friday May 13, 2022
How do I write thee? Let me count the ways … no, there are too many to count. Every writer has made their own journey, and no two are quite alike. So how can you possibly teach anyone how to write, say, a novel?
Despite the difficulties, there have probably never been so many writing courses and guides on offer, and people eager to take them up. Two of the latest books by Australian writers are perfect illustrations of how different writing advice can be. Both are eminently absorbing, encouraging and inspiring for the novice. In other ways, they are poles apart.
Don Winslow: The Complicated Ethics of Writing Violence in Fiction
time.com – Wednesday April 27, 2022
There are some hard ethical questions in the writing of crime fiction.
For me, the most difficult one is how to portray violence.
For one thing, should you depict it all?
And if so, how do you do it with some sense of morality?
I wrestle with this issue all the time. It’s a fine line to walk. On the one hand I don’t want to sanitize violence—I don’t like presenting murder as a parlor game, or worse, a video game in which there are no real consequences. On the other hand, I don’t want to cross that thin line into what might be called the pornography of violence, a means to merely titillate the worst angels of our nature.
The 25 best podcasts for writers
mashable.com – Monday April 25, 2022
Audio can be a bit of a contentious subject among written word lovers. But we're not here to re-litigate the age-old debate over whether listening to audiobooks counts as "reading" (it does, by the way).
Writing can be a lonely profession (or currently unpaid passion, until it can become your profession). But podcasts can bring listeners a sense of community no matter how isolated they are in their interests, both emotionally or geographically. As the illustrious history of famous literary circles goes to show, it often takes a village to produce the singular creative geniuses of an era.
So for established authors or amateur creative writers with big aspirations alike, there's a lot to be gained from the virtual book clubs and writer communities behind the podcasts listed below. Whether you're looking for guidance on the writing process, seeking to learn the fundamentals of great literature or about the publishing industry, or looking for muses to refill your well of inspiration, we've got you covered. From fiction to memoir, screenwriting to playwriting, and prose to poetry, there's an endless world of audio storytellers just waiting to fill your ears with the written word.
On Writing a Social Novel, Giving Clear Feedback, and Outlasting Doubt
lithub.com – Wednesday April 20, 2022
I met Melissa Chadburn in 2011, at the Tin House Writer’s Conference, where I taught her in workshop. You already know that I’m going to tell you that she was brilliant and kind and funny, even back then, so I’ll skip to the part where I get really stoned.
This happened on the final night, when the poet D.A. Powell (bless his soul) proffered me hits off a blunt the size of a drumstick. At some point, I passed along to Melissa the little secret I had been saving for just such an occasion: the Croatian publisher of my debut story collection (“My Life in Heavy Metal”) had—after much anguished consideration—come up with a title that would capture the essence of my work for her readers: Sexburger U.S.A.
Oh my god, did we laugh.
Over the next five years, Melissa did two things for which I am still grateful. First, she took to calling me as Sexburger. Second, she sent me various drafts of her novel for review, absorbing, in the process, some pretty blunt feedback.
Ocean Vuong on Taking the Time You Need to Write
lithub.com – Saturday April 9, 2022
The Japanese have this idea of the color of a poem. Bashō talks often about the colors of poems. I think what he means by that is the moods and the tones, the sort of aesthetic principles of them. And I think that you can’t just sit down and write that, you have to really embody it. That’s the hardest part: figuring out what tone or what mood you’re writing towards. A lot of this has to do with the themes you’re working with, or the mode that you want to present. That takes sometimes weeks, months — years, really — to develop before language comes to fruition. Language has its own register, like music, and depending on the “octave” or the tone that you’re using, there are connotations, there are meanings, implicit in tone.
Think you can write a book? Here’s how to pitch, publish and push your career
nypost.com – Monday April 4, 2022
Everyone dreams of being an author. The pandemic has inspired many to start on these long-dormant passion projects. Or maybe just toy around with the idea but not, you know, take any tangible action in getting the proverbial pen to paper.
First, the good news: “If you want to write a book related to your career, this is a clear sign that you are ready to acknowledge your growth and achievement in life,” said J. L. Stermer, a literary agent who teaches “How to Get Published” at Gotham Writers Workshop, and is also president of Next Level Lit. “It means you have overcome challenges and found solutions that you are ready to share to help others on similar journeys. Your book establishes you as an expert in your field and can magnetize you to find new clients.”
It takes a lot of toil, but penning your own tome can help you get on panels, invited to podcasts and land speaking engagements.
Ahead, expert tips to go from a blank Google Doc to signing the title page.
How to start writing a novel – authors share how they did it
metro.co.uk – Thursday March 31, 2022
We’ve all got a novel in us. Or so the saying goes.
But for most people, even if you have the burning embers of an idea inside you – it can be hard to know where to start.
How do you find the time, the confidence, or the structure needed to actually put pen to paper, or fingers to keys, and actually start the process of writing your first novel.
Well – it can be done. Just look at all the books on your bookshelf or in your local bookshop. All of those authors were once beginners, and they all had to start somewhere.
Narrative Sleight-of-Hand: The Trick of Writing Multiple POVs
tor.com – Tuesday March 29, 2022
One of the traps I fall into most easily as a writer is the illusion that I know what I’m doing. I have a few novels under my belt, and have seen some success with them. Readers have occasionally marvelled at my artistry, or even proclaimed me wise. I, for one, am all too ready to believe the hype about myself.
That is, until I start writing a book that is too hard for me. Which is every book I write, somehow. I end up with two choices—abandon the hard book and write something easier, or abandon the notion that I have any idea what I’m doing.
I highly recommend the latter. It’s humbling, but frees me to look around and find help in unexpected places.
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