How Annette Lyon Went From Writing "Sweet Romance" to Suspense
crimereads.com – Wednesday March 22, 2023
People who know me as a romance writer might see my new suspense novel as something that came out of nowhere. At first glance, my history would bear that out.
When my first novel was published by a small press, I really didn’t like the title they picked. It sounded too romantic for a book where, to me, the entire point was something else: the concern of a mother for her child. I made some tweaks so the title would point to that underlying theme. It had a suspense subplot, but there wasn’t really a way to get that across in the title or cover.
My second novel also had a romantic arc and a suspense subplot. My third was my first foray into historical fiction, which scared me. Readers said it was my best work yet, which told me that stretching myself had probably made me grow as a writer. That story also had a mother deeply concerned about her daughter. It didn’t have a suspense subplot, but it did open with a house burning down.
What I thought would be my fourth was a murder mystery, but the publisher suggested I do more historical, as my last book had outsold the others. I set the mystery—and my suspense ideas—on a shelf to gather dust with the many creepy resource books I’d collected about poisons, death, injury, firearms, and more.
Does it pay to be a top author?
rnz.co.nz – Sunday March 19, 2023
Does it pay to be a great novelist in New Zealand? The Detail talks to two authors about how they make a living spinning a good yarn.
Catherine Chidgey
Catherine Chidgey has been writing novels for almost 30 years - and she's one of our most celebrated writers on the scene at the moment.
Every morning, she's up at 6, writing. She does the school run, goes to her day job as a lecturer in creative writing at Waikato University, gets home, dinner, and then she's in bed - again, writing.
"It's insane," she laughs. "I don't recommend this schedule for anyone out there. Basically I have no other life."
She's just cracked the shortlist for the Jann Medlicott Acorn prize for fiction in this year's Ockham New Zealand Book Awards, for her 2022 novel The Axeman's Carnival.
It's a prestigious prize, too - carrying a $64,000 pay-out to the successful author.
But Chidgey's not in it for the money. She's in it for the passion.
Words of wonder: A look behind the scenes of Ireland's thriving literary magazines
irishexaminer.com – Wednesday March 15, 2023
The Moth may be departing, but there's no shortage of other outlets for writers seeking publication. Here are profiles of a few of them
Who, in their right mind, would start a literary magazine? Plenty of people, it would seem, if the growth in publishing outlets for new writers, particularly online, is to be believed. While they’re often seen as a kind of cottage industry, small literary magazines are part of a bigger picture.
They provide a temperature check of the cultural climate, they’re a resource for talent-scouting publishers and a first stop for the big names of the future. Sally Rooney’s work, for example, first appeared in The Stinging Fly (see panel) so their influence is often way out of proportion to their size.
We spoke to three journal editors at varying stages of the process to find out what possessed them to enter the perilous world of literary publishing.
Do we still need the Women’s Prize for Fiction?
spectator.co.uk – Friday March 10, 2023
Nine debut books were among the 16 novels to make the cut in this year’s Women’s Prize for Fiction long list, announced this week. But what relevance does a gender-exclusive award retain when women dominate the contemporary world of publishing?
When the Women’s Prize for Fiction was launched in 1996 it was badly needed. Back then, female writers found it hard to get their work published. If they did succeed, their work was, all too often, unappreciated by critics and under-acknowledged. It’s clear that is no longer the case.
Women buy 80 per cent of all novels. At the time of writing, the New York Times top 15 bestseller list features 13 female writers. One global survey found 60 per cent of literary agents to be female; another poll, in the American publishing industry, found that 78 per cent of publishing staff overall were female, including six in ten at executive or board level. According to figures from the Bookseller, 629 of the 1,000 bestselling fiction titles from 2020 were written by women. By 2021, female-authored books sold more copies on average than those written by men.
Women's Prize for Fiction nominee Maggie O'Farrell shares her writing tips
harpersbazaar.com – Friday March 10, 2023
Irish novelist Maggie O'Farrell won the Betty Trask Award for her first novel, 'After You'd Gone'. Her novel 'Hamnet', about the life of William Shakespeare's son, received international acclaim and also won numerous awards, including the 2020 Women’s Prize for Fiction. This year, she is longlisted for the same award for her novel, 'The Marriage Portrait'. Here, she shares her advice on writing...
Beginning isn't easy
What I wish someone had told me when I was starting out is this: you don’t have to begin at the beginning. Openings are hard. The blizzard-white emptiness of the page, the empty document with the patiently waiting cursor, the idea that you are about to inscribe the first of many thousands of words, the knowledge that you are embarking on a project that will take two or three years. All this can conspire to give you such awful vertigo that it’s hard to put down anything, let alone a defining initial sentence.
I have found, again and again, that it’s rarely always immediately apparent where in its timeline your narrative should start. It took me a while to work out that a writer doesn’t have to begin at the beginning. You can start wherever you like in the story.
10 Tips For Applying to Writing Residencies
electricliterature.com – Thursday March 9, 2023
Like a lot of writers tackling a book project, I’ve applied to a few residencies with mixed success. But it was only this year, when I reviewed applications for a residency that I had previously attended that I really started to see what makes some applications fail and others really succeed.
Most of the factors that decide a person’s acceptance are settled before they write their application— namely, the quality of the work, its alignment with the mission of the residency, and their personal qualifications as a writer. But a weak application can get a very established writer passed over with little more than a second thought, while a strong one can send an emerging writer to the top of the short list. So what can you do to put your application in contention?
Writing is a ‘questionable business’, but what to make of John Hughes, one of the most prolific plagiarists in literary history?
theconversation.com – Thursday March 2, 2023
In June of last year, the Guardian revealed that John Hughes’ Miles Franklin-longlisted novel The Dogs contained material lifted from The Unwomanly Face of War, a book by Nobel Prize-winning Belarusian journalist Svetlana Alexievich. When approached about this, Hughes apologised for the transgression, describing the plagiarism as unintentional.
Before long, it was found that The Dogs contained material taken from numerous other texts, including widely read classics The Great Gatsby and All Quiet on the Western Front.
Hughes responded to these further revelations not with an apology, but with a spirited self-defence. He compared himself, rather incongruously, to Jorge Luis Borges’ Pierre Menard – a fictional character who sets out to rewrite Don Quixote line for line (the absurdity of the endeavour being the point) – and Jean Rhys, whose novel Wide Sargasso Sea does not hide the fact that it is a prequel to and reframing of Jane Eyre that exposes the original’s colonialist underpinnings.
Hughes was, he claimed, creating “a kind of literary palimpsest”. He insisted he had “always spoken through the voices of others”.
Roald Dahl once said he would set an ‘enormous crocodile’ on publishers if they changed his work
uk.style.yahoo.com – Monday February 27, 2023
Roald Dahl's comments from 40 years ago about "setting an enormous crocodile" on his publishers if they changed his work have shed light on what the late author would have thought of attempts to censor him.
Dahl was recorded specifically saying that he would be outraged by the idea of censorship after his death, and joked that he would send the title character from his book The Enormous Crocodile to deal with his publishers.
The Daily Telegraph had reported that recent versions of children's favourites by Dahl, who died in 1990, had been changed by publisher Puffin Books, a division of Penguin Random House, to remove descriptions of characters as "fat" and "ugly" in books including Charlie and the Chocolate Factory and Matilda.
ChatGPT showed me just how far it is from writing a blockbuster
techradar.com – Sunday February 26, 2023
10,000 hours. That’s how long, at least according to author Malcolm Gladwell, it’s supposed to take to master a craft. Or, if you’re an AI a matter of months, weeks, or days.
When I read that ChatGPT is now such an adept writer it’s already authored hundreds of books on Amazon’s self-publishing service, I experienced a mini freakout. To be clear, OpenAI’s groundbreaking chatbot is not publishing these tomes on its own. People are working with ChatGPT to develop themes, stories, and chapters for their books.
My immediate reaction was, “I’m doomed.” But as the icy chill of that cold reality receded, I considered something else. Anyone can write and publish a book, and most of them won’t be very good.
Thrillers, Yes—Join the Genre
By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach
firstwriter.com – Sunday February 26, 2023
5 Ideas for Finally Making BIG Money
Don’t say I told you this, but Murder Your Employer: The McMasters Guide to Homicide is listed by Amazon as one of its big sellers already this year. It’s also a thriller. The book is from Simon and Schuster.
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