Screenwriter David Hannam shares tips for would-be TV writers
artshub.com.au – Sunday September 24, 2023
Screenwriter and producer David Hannam has a slate of original projects in development in Australia and the UK. He is a writer and executive producer on Acorn’s first Australian original drama Darby and Joan, starring Bryan Brown and Greta Scacchi, which was released in August 2022 to critical acclaim. He is currently developing season two, after consulting and writing for Paramount+ music industry thriller Paper Dolls.
Here, he shares some tips and tricks of the trade ahead of a Masterclass with Media Mentors Australia.
How and when did you get into writing for screen (and was it always an ambition of yours)?
My writing career is a fortunate accident. In a biopic, it’d go something like this …
It’s About Time!
altaonline.com – Wednesday September 20, 2023
Heed the advice of some literary heavyweights to create an ideal writing routine.
The perfect writing routine! Every writer dreams of it, and every writer knows, deep down, that there is no such thing. There are simply too many variables at play—ambition, temperament, material circumstances—to reach a one-size-fits-all solution. But! Could one identify the building blocks of the perfect routine, to be applied to individual writing practices on an ad hoc basis? Here is an attempt, with copious supporting examples.
RULE NO. 1: SCHEDULE DISCRETE FOCUS BLOCKS
Writers with day jobs may fantasize about having long expanses of unstructured creative time, but let’s be honest: there is no greater drag upon a writing practice than having the full day available for it, which practically guarantees a long, flabby drift rather than a focused effort.
In a practice that is all about increments of labor, the first step is to define your daily dose.
Traditional Publishing in the 2020s
By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach
firstwriter.com – Friday September 15, 2023
Don’t abandon all hope ye who want to enter into traditional publishing this decade, but you might consider changing what you’re looking for.
I recently had an article covering self-publishing on this site, for which I interviewed some writers who have been self-publishing. I wanted then to discuss what we call “traditional publishing” and thought about who I might interview for such a piece.
Indeed, I know people who publish traditionally, but the idea of interviewing most seemed useless because they have been putting out their books in the mainstream for quite a while, decades in some cases. Talking to them wouldn’t give the great majority of us who wish we were in their shoes much information. And much of traditional publishing still follows the same model, but it has changed.
So let’s start with what traditional publishing is. The authors are the supplicants, first-off to gain an agent who knows the publishers and their needs and will sell for the selected clients.
To hell with woke publishers
spiked-online.com – Wednesday September 13, 2023
The gatekeepers of the creative industry are riddled with a nasty strain of identity politics.
ASH Literary is on the hunt for budding children’s book authors. ‘We are actively seeking voices that have historically been underrepresented’, the submissions section of the agency’s website tells us. ‘For example, we are not interested in stories about white, able-bodied [Second World War] evacuees, but would welcome that story from a disabled, LGBTQ+ or BIPOC [black, indigenous or people of colour] perspective’, it explains.
Leaving aside for a moment the big question of what on Earth the term ‘indigenous’ could possibly mean in a British context, this reads like a sophomoric parody of the modern publishing industry. But I’m afraid it is real. And when we stop laughing at the thought of a blue-haired ‘nonbinary’ stepping nervously off a train at a remote rural station in 1940 – which would be rather like Neville Chamberlain bopping along to some Chiptune – there is something quite troubling about this stuff, uncovered among other examples by Charlotte Gill in the Sunday Telegraph.
The nub of things comes a little later on the same page of the ASH agency’s site, which reads: ‘If your book is about an identity that is not yours, we will not be a good fit.’ What a grim traducement of the power and the purpose of literature – of humanity, even – that nasty little sentence is.
'A Plague on the Industry': Book Publishing's Broken Blurb System
esquire.com – Thursday September 7, 2023
Do authors actually like the books they endorse—or even read them? Writers, literary agents, and publishing workers take Esquire inside the story of a problematic "favor economy."
When an author I’d worked with a decade ago at Simon & Schuster emailed me asking if she could send over an advance copy of her new novel, I of course said yes. But what really got me to read her book over all of the many unread books in my apartment was this quote from mystery writer S.A. Cosby on the cover: “Polly Stewart's The Good Ones is a fantastic achievement. A classic Southern Gothic tale told through the prism of modern-day sensibilities. Not to be missed.”
Having been unable to stop thinking about Cosby’s heartbreaking thriller Razorblade Tears ever since I read it, I inherently trusted him to guide me to my next great summer read (spoiler alert: he was right).
That quote from Cosby is what’s known as a book blurb, or more commonly, just a blurb. These endorsements from other authors or relevant notables are included on book covers, press releases, bookseller letters, and other promotional materials both before and after publication. Requests for blurbs are commonly made author-to-author or otherwise put into motion through their editors or agents ahead of publication, as soon as the manuscript is ready to send out—the earlier, the better.
On their surface, book blurbs seem fairly innocuous, but in reality, they’re a small piece of the puzzle with a big impact—one that represents so much of what’s broken within the traditional publishing establishment. Blurbs expose this ecosystem for what it really is: a nepotism-filled system that everyone endures for a chance of “making it” in an impossible industry for most. To borrow a phrase from Shakespeare enthusiast Cher Horowitz, “Blurbs are a full-on Monet. From far away, they’re okay, but up close, they’re a big old mess.”
This sinister censorship agenda in the publishing world should trouble us all
standard.co.uk – Wednesday September 6, 2023
Hard on the heels of the news that Ian Fleming’s publishers have “edited” its new edition of the James Bond novels to coincide with the 70th anniversary of Casino Royale (a cracker) to omit some non-current references to race, there arrives a new version of James Bond. On His Majesty’s Secret Service, by Charlie Higson, is Bond as a sensitivity reader might have created him.
As The Spectator reviewer observed, “our hero has somehow become the modern age in arms, a Centrist Dad with a sidearm.” Instead of bad Bond, we get 21st century Bond. Whaddya know? He’s rubbish.
The problem with the censorship of contemporary publishing is twofold: one is that it happens upstream, at the commissioning, writing stage of a book.
The other is that when it comes to the censorship of existing authors, it’s like additives in foodstuffs; you have to read the small print to find it’s there. So, with the edited Bond, you have to be bothered to read the publisher’s note that “This book was written at a time when terms and attitudes which might be considered offensive by modern readers were commonplace”. If you’re buying it on Amazon, what chance that you’ll know that you’re getting an expurgated version? What you actually need is a big fat sticker on the front saying: CENSORED.
The Best Global Magazines for Growing Writers and Artists
theteenmagazine.com – Saturday September 2, 2023
Scrolling on Instagram for several hours at a time, to try and get your work recognized? I might have the perfect way for you to get your work recognized while saving your time, simultaneously! Often, the best way to get your creative work to as many people as possible is by submitting to growing magazines.
Yes, it may seem like doing so won't do much good to your work, but trust me, growing magazines are the ones that will eventually rise to the top. With eye-catching aesthetics and magnificent formatting, global magazines are the perfect opportunity for growing writers and artists to showcase their excellent work to the WORLD!
I have personally submitted to a few global magazines myself, such as the Curio Cabinet Magazine and the Poetic Reveries. There is nothing that can match the happiness a writer gets when they see their name in a published magazine with several other talented writers.
Not only is it a great feeling, but it allows you to feel so much better about your skill and, if anything, rejections only strengthen your perspective! At least that is what my major takeaway from reaching out to these thriving magazines was and I hope you, too, step outside of your comfort zone and try these growing, youth-led poetry and art magazines out!
So, here they are, the top five thriving global magazines from the ever-trending platform for skilful, creative and outstanding writers and artists, Instagram.
My children’s book about India was rejected because I’m white
whyevolutionistrue.com – Saturday August 26, 2023
As you may recall, several years ago I wrote a children’s book called Mr. Das and his Fifty Cats. In 2022, I mentioned it (and my travails finding a home for it) here, where I gave a brief description:
“Mr. Das and his 50 cats” [is] a fictional work that is actually based heavily on a real person: Birendra Das, one of India’s most famous sweetmakers (his business, K. C. Das and company, is famous in Kolkata). I stayed with Mr. Das in Bangalore (now called “Bengaluru”) to do “field work” observing his life and his cats, and found that he indeed had around fifty cats, whose names I learned. Around these facts—and the knowlege that Mr. Das took all of those cats in as strays—I wove a fictional tale about the cats invading the factory in times of famine and eating all the milk, cream, and yogurt. (Indian sweets are heavily laden with sugar and dairy products.) The story of how that led to the closure of Mr. Das’s sweet business, and then how the cats fixed the situation in the end, is the subject of my book.
I quite liked the story, as did others, including parents of small children and school teachers to whom I vetted the book (the story is meant for kids from about first to fourth grades). I got a lot of good suggestions before it arrived at its final incarnation.
Eventually, on the advice of my agent (who doesn’t handle non-science books), I sent the manuscript to a well known agent in England, who worked with a very famous illustrator. They both liked the book a lot and agreed to provide illustrations, which, given the fame of the illustrator, would almost guarantee publication.
I got a few illustrations, but then: radio silence. This lasted for months, and every six months I’d email to ask what was going on. I’d get some reply that finding a publisher was still in the works. Then, more radio silence. This went on for several years, and I grew increasingly depressed.
Literary Agents - Unfit For Purpose?
dailykos.com – Saturday August 26, 2023
Like many authors, I’ve long wondered what added value agents add to the publishing industry. Disclaimer: I have never had an agent, and I value Independent Publishers.
I shall not mention this agent’s name and I will paraphrase what she wrote to the Twitter (X) Writing Community. So it wasn’t a personal reply, this counts as an announcement.
She said that when a writer is passed over by an agent, the writer shouldn’t assume it was a quality of prose issue. And that she just passed on a “most delightful, well-written manuscript”. One that she felt sure was going to sell.
An agent’s job is to sell books to publishers. Some also edit. Let’s think for a moment about the art of selling. (Disclaimer: ex sales manager.) If I am trying to sell a product, I don’t give a damn whether or not the salesperson “falls in love with” or “has a special spark” about it. No, I want him to make his quota, preferably more.
Where are today's modernists?
thebookseller.com – Wednesday August 23, 2023
A hundred years ago modernism was reinventing the rules of poetry with linguistic innovation and experimentation, pushing readers into a new relationship with the world via the word. Poets found fresh ways of expressing through style and form and publishers provided the engine room to connect their work with readers. So, what happened to this populism of the difficult? Today this tradition of experimentation has moved into underground channels where some of our most dynamic poets are creating incredible work, outside the earshot of major publishers.
Last year saw the centenary of The Waste Land. There were Eliot-themed events and even a festival called fragments, which took place across twenty-two City of London churches. The 1923 centenary should also be celebrated as a century ago this year was an incredible year for poetry. Wallace Stevens published Harmonium, his first collection of poetry completed at the age of 44. Stevens’ work brought a striking philosophical angle to modern poetry, demonstrating that everything that poetry could do existed in the imagination; not the world as it is, but as the mind – and language – perceives it.
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